Saturday, December 10, 2022
Intersectional Feminism—Desi Style!

What's Trending on FII

With Action Against Myntra Logo, Faith In Radical Gender Justice Has Been Restored

Changing the Myntra logo will certainly teach a lesson to all these corporates driven by their capitalist, profit-making motives all about sexualising and objectifying women.

What Makes Kandukondain Kandukondain A Gender-Equal Movie?

Kandukondain Kandukondain is a story is of three sisters living with their widowed mother and their ailing, bed-ridden grandfather, all of them members of a wealthy family in a town in Tamil Nadu.

Analysing The Assamese Women’s Domestic Vulnerabilities

In the domestic space, the position of the Assamese women is still vulnerable. The man entirely dominates over the domestic sphere, which situates the Assamese women at the receiving end of the patriarchal violence and torture.

Most Popular Stories on FII

Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film

Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.

Drishyam 2 Review: A Cinematic Universe Founded On Victim Blaming

Drishyam 2 is the latest addition in mainstream entertainment cinema that plays into the tropes of popular morality that distorts women’s agency.

Analysis Of Sir (2018): Blatant Invisibilisation Of Caste Privilege

Starring Tilottama Shome and Vivek Gomber, Is Love Enough, Sir? is marketed as a progressive ‘love story’ between a man and his domestic worker that breaks societal barriers.

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