Wednesday, October 20, 2021
Intersectional Feminism—Desi Style!

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High-Rise Buildings & Class-Based Exclusion: Losing Ourselves Among The Stars

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Those of us who reside in high-rise buildings in cities would have to be living in a bubble if we denied the segregation of spaces (albeit unofficial in many cases) on the basis of caste and religion.

The Horrors Of Lockdown For The Fisher Folk: Starvation, Stranding, And Invisibilisation

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After the 1st phase of the lockdown, restricted functioning of fishing was permitted; yet, members of the fishing fraternity saw a loss of livelihoods.

Bhram Review: Cliche Horror, Erasure Of Cultural Identities And Mental Health Discourse

If you are a fan of Kalki Koechlin, only then you can survive the 8 episodes long Zee5 Prime series Bhram because it doesn't have much else to offer.

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Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film

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Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.

Drishyam 2 Review: A Cinematic Universe Founded On Victim Blaming

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Drishyam 2 is the latest addition in mainstream entertainment cinema that plays into the tropes of popular morality that distorts women’s agency.

Analysis Of Sir (2018): Blatant Invisibilisation Of Caste Privilege

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Starring Tilottama Shome and Vivek Gomber, Is Love Enough, Sir? is marketed as a progressive ‘love story’ between a man and his domestic worker that breaks societal barriers.

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