Friday, July 1, 2022
Intersectional Feminism—Desi Style!

What's Trending on FII

Video: Queer and Trans Representation In Our Films

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Check out this video where we talk about the good, bad and the ugly of queer and trans representation in Indian cinema.

High-Rise Buildings & Class-Based Exclusion: Losing Ourselves Among The Stars

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Those of us who reside in high-rise buildings in cities would have to be living in a bubble if we denied the segregation of spaces (albeit unofficial in many cases) on the basis of caste and religion.

Here’s To Embracing Financial Literacy In 2021

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Financial literacy empowers women to make independent decisions. Be it an emergency, unforeseen circumstances or unfortunate events, it allows an individual to rebuild their life on their own terms.

Most Popular Stories on FII

Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film

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Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.

Drishyam 2 Review: A Cinematic Universe Founded On Victim Blaming

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Drishyam 2 is the latest addition in mainstream entertainment cinema that plays into the tropes of popular morality that distorts women’s agency.

Analysis Of Sir (2018): Blatant Invisibilisation Of Caste Privilege

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Starring Tilottama Shome and Vivek Gomber, Is Love Enough, Sir? is marketed as a progressive ‘love story’ between a man and his domestic worker that breaks societal barriers.

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