Poster Series: Remembering Kunan Poshpora On Kashmiri Women’s Resistance Day

Kashmiri Women’s Resistance Day is observed to salute the women, who in the face of the struggle against Kunan Poshpora, refused to give up.

A Feminist Reading Of Supporting Female Characters From Indian Epics

While ‘woman and war’ has been a central plot of their stories casting Draupadi and Seeta as main female protagonists, we can map many supportive female characters in both the stories for their stunning similarities yet intriguing differences.

Kantha: Women Embroidering Stories Of Bengal Across Borders

Children of the contiguous plains of Bengal have grown up wrapped in the comforts of the humble kantha. The kantha is embroidered by hand, sewn from discarded rags, cast off dhotis and sarees into cotton quilts.

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Society

How Unemployment In Kashmir Is Affecting Marriage Prospects Of The Youth

A study by the Kashmir University shows that the percentage of unmarried population in the state is 55. This article analyses how this could be the result of increased unemployment in Kashmir.

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Podcast: What Is Modern Love?

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In this episode, we talk to India Love Project about modern love beyond caste, class, faith, nationality and gender.

Poster Series: Remembering Kunan Poshpora On Kashmiri Women’s Resistance Day

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Kashmiri Women’s Resistance Day is observed to salute the women, who in the face of the struggle against Kunan Poshpora, refused to give up.

The Fame Blame Game: Tracing My Perception Of Celebrityhood Accountability

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Sometimes celebrities are not allowed to have a stance especially because of their fame, that the causes they advocate must be sanitised because otherwise they’d be incurring the wrath of their investors and their contract-makers.

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Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film

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Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.

Drishyam 2 Review: A Cinematic Universe Founded On Victim Blaming

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Drishyam 2 is the latest addition in mainstream entertainment cinema that plays into the tropes of popular morality that distorts women’s agency.

Analysis Of Sir (2018): Blatant Invisibilisation Of Caste Privilege

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Starring Tilottama Shome and Vivek Gomber, Is Love Enough, Sir? is marketed as a progressive ‘love story’ between a man and his domestic worker that breaks societal barriers.

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