While ‘woman and war’ has been a central plot of their stories casting Draupadi and Seeta as main female protagonists, we can map many supportive female characters in both the stories for their stunning similarities yet intriguing differences.
Children of the contiguous plains of Bengal have grown up wrapped in the comforts of the humble kantha. The kantha is embroidered by hand, sewn from discarded rags, cast off dhotis and sarees into cotton quilts.
A study by the Kashmir University shows that the percentage of unmarried population in the state is 55. This article analyses how this could be the result of increased unemployment in Kashmir.
To reclaim women’s, transwomen and queer women’s spaces in History FII is looking for article submissions on the topic of Women’s Histories for March 2021.
From sex to post-partum depression, from raising a child with special needs to challenging the status quo of gender through the process of motherhood, Momspeak certainly gives the reader a lot to process.
Since factories cannot afford to sue brands without adverse consequences, the burden of the economic disruptions caused by the COVID-19 pandemic has been passed down to the women workers.
Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.
Starring Tilottama Shome and Vivek Gomber, Is Love Enough, Sir? is marketed as a progressive ‘love story’ between a man and his domestic worker that breaks societal barriers.