‘Varshangalku Shesham’ (2024) Review: Understanding Its Success And Self Mockery By Vidhupriya 5 min read | Apr 22, 2024
‘May December’ Reminds Us That There Is Always More Than What Meets The Eye By Himalika Mohanty 7 min read | Mar 21, 2024
Three Generations Of ‘Laapataa Ladies’: Watching The Film With My Mother And Grandmother By Shivani Yadav 6 min read | Mar 20, 2024
Analysing The Portrayal Of Empowerment In The 2024 ‘Mean Girls’ Musical By Hridya Sharma 6 min read | Mar 12, 2024
‘Dune: Part Two’: Navigating The Power Of Myth In A Cinematic Odyssey By Sayeri Biswas 7 min read | Mar 11, 2024
‘Migration’ (2023): An Allegory For Present Migration Narratives By Vidhupriya 5 min read | Mar 4, 2024
FII Interviews: In Conversation With Film Producer Apoorva Guru Charan By Ananya Surana and Shakti Nirmal 10 min read | Sep 4, 2023
The Barbenheimer Phenomenon: A Feminist Examination Of The Binaristic Gendering Of Cinema By Ananya Ray 6 min read | Aug 7, 2023
The State And Censorship: Indian Documentary Breathes Or Chokes? By Sohini Sengupta 10 min read | Mar 20, 2023
