cinema

‘Dhadak 2’: A Reimagining That Finds Its Own Voice And Its Own Fury

7 min read | Aug 13, 2025

‘Sthal’: Matchmaking As Performance And The Ritualised Commodification Of Women

5 min read | May 20, 2025

‘Superboys Of Malegaon’ Review: Tear Jerking Retelling Of Guerilla Filmmakers

5 min read | Mar 7, 2025

‘Dragon’ (2025) Review: Funniest And Deepest Redemptive Arcs In Recent Times

5 min read | Feb 27, 2025

Phones, FOMO, And Fallout: ‘Loveyapa’, The Modern Love Story

By Shweta Singh

5 min read | Feb 19, 2025

The Womenfolk Of ‘Paatal Lok’: Surviving Patriarchy In A Man’s World

By Soumili Paul

5 min read | Jan 28, 2025

‘Santosh’ (2024) Review: Powerful Mirroring Of Darkest Realities In India

5 min read | Jan 14, 2025

‘Feminist Fathima’ And The Roast Of Patriarchy: A Discussion

By Adithya Kamesh

7 min read | Jan 3, 2025

The Silencing Of Palestinian Voices, Available Only On Netflix

By Syeda Shua Zaidi

5 min read | Oct 31, 2024

‘The Wild Robot’: A Bumpy Ride Of Sudden Adoptive Motherhood

By Vishal Sharma

6 min read | Oct 29, 2024

It Is Time To Retire The Term ‘Casting Couch’

By Akshita Prasad

8 min read | Sep 26, 2024

Why Do Indian Historical Films Fail To Re-tell History Authentically?

By Santosh Kumar

7 min read | Sep 19, 2024

‘Twisters’: A New Take On A Much-Maligned Genre

By Rokeya Ghani

6 min read | Jul 23, 2024

‘Kill’: A Gory Splatter Fest Rooted In Desi Weapons, Politics And Emotions

By Sohini Sengupta

8 min read | Jul 15, 2024

‘Kalki 2898 AD’: A Mishmash Of Deja Vu, Big B And Desi Cyberpunk

By Sohini Sengupta

8 min read | Jul 8, 2024