Saturday, August 13, 2022
Intersectional Feminism—Desi Style!

What's Trending on FII

Decoding Subarnarekha On Ritwik Ghatak’s Death Anniversary

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Ritwik Ghatak's Subarnarekha, released in 1965, has women too real to be romanticised, and casteism which spares neither the dead nor the alive.

Embracing Femininity: My Liaison With Lipstick

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A lipstick continues to be seen as a symbol of beautification and something that is exclusively retained to have connotations representing femininity.

Video: Queer and Trans Representation In Our Films

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Check out this video where we talk about the good, bad and the ugly of queer and trans representation in Indian cinema.

Most Popular Stories on FII

Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film

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Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.

Drishyam 2 Review: A Cinematic Universe Founded On Victim Blaming

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Drishyam 2 is the latest addition in mainstream entertainment cinema that plays into the tropes of popular morality that distorts women’s agency.

Analysis Of Sir (2018): Blatant Invisibilisation Of Caste Privilege

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Starring Tilottama Shome and Vivek Gomber, Is Love Enough, Sir? is marketed as a progressive ‘love story’ between a man and his domestic worker that breaks societal barriers.

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