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High-Rise Buildings & Class-Based Exclusion: Losing Ourselves Among The Stars

Those of us who reside in high-rise buildings in cities would have to be living in a bubble if we denied the segregation of spaces (albeit unofficial in many cases) on the basis of caste and religion.

Analysing Body, Autonomy & Gendered Spaces In The Great Indian Kitchen

Once we spot the binary-codified bodies of men and women in The Great Indian Kitchen and the autonomy accorded (and denied) to each gender, it is difficult to unsee it.

4 Years Since Raya’s LoSHA, A Perpetrator Continues To Occupy Space In Academia

Serial number 39 on Raya Sarkar's list was Kanav Gupta, ad-hoc professor of English at one of Delhi University’s leading colleges. Popular among students as charming and easygoing, Gupta took advantage of his position as one of the very few male professors in a women’s college.

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Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film

Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.

Drishyam 2 Review: A Cinematic Universe Founded On Victim Blaming

Drishyam 2 is the latest addition in mainstream entertainment cinema that plays into the tropes of popular morality that distorts women’s agency.

Analysis Of Sir (2018): Blatant Invisibilisation Of Caste Privilege

Starring Tilottama Shome and Vivek Gomber, Is Love Enough, Sir? is marketed as a progressive ‘love story’ between a man and his domestic worker that breaks societal barriers.

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