Wednesday, October 5, 2022
Intersectional Feminism—Desi Style!
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Outside Of The Virgin-Whore Dichotomy: Indian Cinema and Women’s Sexual Desire

Sex on screen, improbable in itself has been restricted to echoing male fantasies with women's sexual desire being featured through the man's lens.

A Feminist Reading Of Mulan & Larger-Than-Life Portrayals Of Women On-Screen

Larger-than-life portrayals such as that in Mulan, drawn in sharp relief against the hostility prompted by misogyny, puts a lot of pressure on women, indirectly sending a message that only the very best women stand some kind of a chance to sustain in these spaces.

Book Review: Dewaji—Making Of An Ambedkarite Family By Dipankar Kamble

Dewaji—Making Of An Ambedkarite Family takes us on a journey to witness two-generational struggle of a Dalit family.

Most Popular Stories on FII

Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film

Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.

Drishyam 2 Review: A Cinematic Universe Founded On Victim Blaming

Drishyam 2 is the latest addition in mainstream entertainment cinema that plays into the tropes of popular morality that distorts women’s agency.

Analysis Of Sir (2018): Blatant Invisibilisation Of Caste Privilege

Starring Tilottama Shome and Vivek Gomber, Is Love Enough, Sir? is marketed as a progressive ‘love story’ between a man and his domestic worker that breaks societal barriers.

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