Bengali cinema

Bengali Film ‘Onyo Opala’ Reimagines Marriage As A Site Of Shared Oppression And Unexpected Friendship

By Suraj Sur

4 min read | Jul 22, 2026

Positive Portrayals On The Silver Screen: Celebrating Women In Bengali Cinema

By Madhusmita Mukherjee

7 min read | Aug 28, 2024

20 Years Of ‘Shubho Mahurat’: The Politics Of Love, Gender And Class

By Triveni Goswami

5 min read | Oct 4, 2023

Mothers And Daughters In Rituparno Ghosh’s Films ‘Unishe April’ And ‘Titli’

By Madhulagna Halder

7 min read | May 26, 2023

Haunted By Gold: Women In Bengali Horror Films

By Madhulagna Halder

7 min read | Feb 27, 2023

Satyajit Ray’s ‘Devi’: Deification As Destruction?

By Tanya Roy

5 min read | Feb 3, 2023

Bishorjan: The Dangerous Essentialism In The National Award Winning Film

By Dr Shyaonti Talwar

6 min read | Feb 10, 2021

Film Review Of Nagarkirtan: A Poignant Tale Of Queer Love And Identity

By Eesha

4 min read | Aug 3, 2020

The ‘Female Gaze’ In Satyajit Ray’s Charulata (1964)

By Nikhat Hoque

6 min read | Dec 2, 2019

Adalat O Ekti Meye Opts To Not Have A “Male Saviour” For A Rape Victim

By Rimli Bhattacharya

5 min read | Nov 22, 2019

Supriya Devi: The Gem Of Bengali Cinema | #IndianWomenInHistory

By Ruchira Ghosh

5 min read | Mar 6, 2019

Suchitra Sen: From Mahanayika To Recluse | #IndianWomenInHistory

By Ruchira Ghosh

4 min read | Dec 4, 2017

Rituparno Ghosh: Making Us Comfortable With The Uncomfortable

By Megha Marik

5 min read | Jul 4, 2017