Friday, July 1, 2022
Intersectional Feminism—Desi Style!

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Film Review: Anupama (1966) Directed By Hrishikesh Mukherjee

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Anupama is a powerful story, told from a female gaze, and Hrishida provides a nuanced and layered perspective to Uma’s character and Ashok’s enabling role in her life.

Why Do Savarna Right-Wing Women Betray Women?

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Savarna women have appropriated the feminist movement leading to ignorance in understanding the intersections of caste, class and sexual orientation.

‘They Call It Love, We Call It Unwaged Work’: Revisiting The Feminisation of Domestic...

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Recent demand for the wages against domestic work by actor turned politician Kamal Haasan political party, Makkal Needhi Maiam, has rekindled an old debate.

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Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film

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Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.

Drishyam 2 Review: A Cinematic Universe Founded On Victim Blaming

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Drishyam 2 is the latest addition in mainstream entertainment cinema that plays into the tropes of popular morality that distorts women’s agency.

Analysis Of Sir (2018): Blatant Invisibilisation Of Caste Privilege

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Starring Tilottama Shome and Vivek Gomber, Is Love Enough, Sir? is marketed as a progressive ‘love story’ between a man and his domestic worker that breaks societal barriers.

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