Cinema

Dhurandhar: The Revenge Gives Us A Peek Into Aditya Dhar’s Manosphere And The Construction Of An Islamophobic Narrative

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6 min read | Mar 27, 2026

BAFTA Stage And The Silence Around Manipur: A Speech That Echoed Louder Than The Award

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5 min read | Mar 18, 2026

Assi Review: A Film That Forces Viewers To Confront Women’s Everyday Reality

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5 min read | Mar 17, 2026

Accused Review: A Trope-Heavy, One-Dimensional Film With Caricaturised Characters

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6 min read | Mar 16, 2026

BAFTA Winner Boong Addresses Migration, Divisions, And Outsider Status

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5 min read | Mar 12, 2026

Why We Fell In Love With Heated Rivalry’s Shane And Ilya

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5 min read | Mar 10, 2026

An Unnoticed Scene In ‘Ek Chatur Naar’: The Burkha, Stereotypes, And Muslim Identity

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5 min read | Mar 9, 2026

Daldal Exposes How India Fails Its Single Mothers And Their Daughters

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5 min read | Mar 5, 2026

‘Avatar: Fire And Ash’ And The Power Dynamics That Go Unnoticed

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5 min read | Feb 26, 2026

Why We Don’t Need Another Romantic Heathcliff: Emerald Fennell’s “Wuthering Heights” And The Aestheticisation Of Male Violence

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6 min read | Feb 23, 2026

‘Mardaani 3’ And The Limits Of The “Strong Female Cop” Narrative

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5 min read | Feb 5, 2026

Progressive Mask, Regressive Portrayal: Why ‘Hot Spot 2 Much’ Is Pure Ragebait

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5 min read | Feb 5, 2026

The Privileged Feminism Of ‘People We Meet On Vacation’: A Review 

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6 min read | Feb 2, 2026

‘Kaantha’ (2025): A Film About Filmmaking That Doesn’t Quite Deliver

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5 min read | Jan 29, 2026

The Housemaid Feminist Review: Subverting The ‘Madwoman’ Archetype And Class Exploitation

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2 min read | Jan 28, 2026