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Changing The Narrative Of Women’s Menstrual Hygiene: RIO Pads & Asmita Plus

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As per the NFHS-4 data, only 56% of the women use sanitary pads or tampons or in combination in India. During COVID-19 times, only 15% of women had access to menstrual health products such as sanitary pads.

Sewing Machines As Agents Of Financial Freedom For Women

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For a long time, cinema in India has shown women getting behind their sewing machines when the going got rough and tough, be it in Sir, Sui-Dhaaga or when matinee mothers were shown stitching to overcome financial struggles.

Budget-ing Unemployment In Times Of Pandemic: Union Budget 2021 And MGNREGA

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Contrary to the demand and need of the current socioeconomic conditions, the MGNREGA scheme found itself to shrink and retrenched in terms of the share of the huge budget pie that it received for year 2021.

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Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film

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Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.

Drishyam 2 Review: A Cinematic Universe Founded On Victim Blaming

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Drishyam 2 is the latest addition in mainstream entertainment cinema that plays into the tropes of popular morality that distorts women’s agency.

Analysis Of Sir (2018): Blatant Invisibilisation Of Caste Privilege

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Starring Tilottama Shome and Vivek Gomber, Is Love Enough, Sir? is marketed as a progressive ‘love story’ between a man and his domestic worker that breaks societal barriers.

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