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Relooking at some of the roles of the Bengali screen legend Soumitra Chatterjee with an identity in world cinema that offered a modernising outlook on love, romance and tragedy.
The practice of feminist counter cinema comes in, which tends to sway away from the conventional notions of filmmaking and narrativisation.
The public spaces are filled with men of all classes who loiter aimlessly. Women are reduced to mere visitors on these streets.
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Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.
Drishyam 2 is the latest addition in mainstream entertainment cinema that plays into the tropes of popular morality that distorts women’s agency.
Starring Tilottama Shome and Vivek Gomber, Is Love Enough, Sir? is marketed as a progressive ‘love story’ between a man and his domestic worker that breaks societal barriers.