Friday, August 12, 2022
Intersectional Feminism—Desi Style!

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Remembering Soumitra Chatterjee: The Modern Man & Atypical, Sensitive Hero

Relooking at some of the roles of the Bengali screen legend Soumitra Chatterjee with an identity in world cinema that offered a modernising outlook on love, romance and tragedy.

Cinema’s Gaze On Women: Representing Women On The Silver Screen

The practice of feminist counter cinema comes in, which tends to sway away from the conventional notions of filmmaking and narrativisation.

“Working Women Will Be Tracked For ‘Their’ Safety”: When Will Women Have Agency In...

The public spaces are filled with men of all classes who loiter aimlessly. Women are reduced to mere visitors on these streets.

Most Popular Stories on FII

Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film

Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.

Drishyam 2 Review: A Cinematic Universe Founded On Victim Blaming

Drishyam 2 is the latest addition in mainstream entertainment cinema that plays into the tropes of popular morality that distorts women’s agency.

Analysis Of Sir (2018): Blatant Invisibilisation Of Caste Privilege

Starring Tilottama Shome and Vivek Gomber, Is Love Enough, Sir? is marketed as a progressive ‘love story’ between a man and his domestic worker that breaks societal barriers.

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