Friday, August 12, 2022
Intersectional Feminism—Desi Style!

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Remembering Soumitra Chatterjee: The Modern Man & Atypical, Sensitive Hero

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Relooking at some of the roles of the Bengali screen legend Soumitra Chatterjee with an identity in world cinema that offered a modernising outlook on love, romance and tragedy.

Cinema’s Gaze On Women: Representing Women On The Silver Screen

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The practice of feminist counter cinema comes in, which tends to sway away from the conventional notions of filmmaking and narrativisation.

“Working Women Will Be Tracked For ‘Their’ Safety”: When Will Women Have Agency In...

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The public spaces are filled with men of all classes who loiter aimlessly. Women are reduced to mere visitors on these streets.

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Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film

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Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.

Drishyam 2 Review: A Cinematic Universe Founded On Victim Blaming

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Drishyam 2 is the latest addition in mainstream entertainment cinema that plays into the tropes of popular morality that distorts women’s agency.

Analysis Of Sir (2018): Blatant Invisibilisation Of Caste Privilege

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Starring Tilottama Shome and Vivek Gomber, Is Love Enough, Sir? is marketed as a progressive ‘love story’ between a man and his domestic worker that breaks societal barriers.

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