Sunday, December 5, 2021
Intersectional Feminism—Desi Style!

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The Hour Past Midnight: Analysing The Gender Narratives In Salma’s Novel

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In her poignant novel, The Hour Past Midnight, Salma explores the underlying entanglements of women in a closely-knit community trying to straddle a rugged terrain through resilience.

‘Smile! UP Police Is Watching’: On Distress, Surveillance And Emotion Mapping

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Mass surveillance, where an individual has no information on where private data is being stored is a far more glaring problem than anything else.

Being Childless By Choice | Mum’s The Word

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The narrative that implies that marriage is meaningless, irrelevant, futile and incomplete if one was choosing to stay childless needs to be problematised.

Most Popular Stories on FII

Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film

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Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.

Drishyam 2 Review: A Cinematic Universe Founded On Victim Blaming

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Drishyam 2 is the latest addition in mainstream entertainment cinema that plays into the tropes of popular morality that distorts women’s agency.

Analysis Of Sir (2018): Blatant Invisibilisation Of Caste Privilege

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Starring Tilottama Shome and Vivek Gomber, Is Love Enough, Sir? is marketed as a progressive ‘love story’ between a man and his domestic worker that breaks societal barriers.

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