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In her poignant novel, The Hour Past Midnight, Salma explores the underlying entanglements of women in a closely-knit community trying to straddle a rugged terrain through resilience.
Mass surveillance, where an individual has no information on where private data is being stored is a far more glaring problem than anything else.
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Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.
Drishyam 2 is the latest addition in mainstream entertainment cinema that plays into the tropes of popular morality that distorts women’s agency.
Starring Tilottama Shome and Vivek Gomber, Is Love Enough, Sir? is marketed as a progressive ‘love story’ between a man and his domestic worker that breaks societal barriers.