Sunday, December 5, 2021
Intersectional Feminism—Desi Style!

What's Trending on FII

Outside Of The Virgin-Whore Dichotomy: Indian Cinema and Women’s Sexual Desire

Sex on screen, improbable in itself has been restricted to echoing male fantasies with women's sexual desire being featured through the man's lens.

How Bombay High Court’s Order In Groping Case Is Ignorant, Harmful & Absurd

On 19 January 2021, Justice Pushpa V. Ganediwala of the Bombay High Court said that touching a minor girl’s breast without removing the top would not fall within the definition of sexual assault.

Women’s History Month: Mood Of The Month March 2021

To reclaim women’s, transwomen and queer women’s spaces in History FII is looking for article submissions on the topic of Women’s Histories for March 2021.

Most Popular Stories on FII

Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film

Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.

Drishyam 2 Review: A Cinematic Universe Founded On Victim Blaming

Drishyam 2 is the latest addition in mainstream entertainment cinema that plays into the tropes of popular morality that distorts women’s agency.

Analysis Of Sir (2018): Blatant Invisibilisation Of Caste Privilege

Starring Tilottama Shome and Vivek Gomber, Is Love Enough, Sir? is marketed as a progressive ‘love story’ between a man and his domestic worker that breaks societal barriers.

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