Sunday, December 5, 2021
Intersectional Feminism—Desi Style!

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4 Years Since Raya’s LoSHA, A Perpetrator Continues To Occupy Space In Academia

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Serial number 39 on Raya Sarkar's list was Kanav Gupta, ad-hoc professor of English at one of Delhi University’s leading colleges. Popular among students as charming and easygoing, Gupta took advantage of his position as one of the very few male professors in a women’s college.

With Action Against Myntra Logo, Faith In Radical Gender Justice Has Been Restored

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Changing the Myntra logo will certainly teach a lesson to all these corporates driven by their capitalist, profit-making motives all about sexualising and objectifying women.

A Feminist Reading Of Mulan & Larger-Than-Life Portrayals Of Women On-Screen

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Larger-than-life portrayals such as that in Mulan, drawn in sharp relief against the hostility prompted by misogyny, puts a lot of pressure on women, indirectly sending a message that only the very best women stand some kind of a chance to sustain in these spaces.

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Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film

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Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.

Drishyam 2 Review: A Cinematic Universe Founded On Victim Blaming

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Drishyam 2 is the latest addition in mainstream entertainment cinema that plays into the tropes of popular morality that distorts women’s agency.

Analysis Of Sir (2018): Blatant Invisibilisation Of Caste Privilege

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Starring Tilottama Shome and Vivek Gomber, Is Love Enough, Sir? is marketed as a progressive ‘love story’ between a man and his domestic worker that breaks societal barriers.

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