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Meet Pratyusha Pramanik – FII’s Featured Writer Of January 2021

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FII would not exist if not for the passionate and loyal feminist writers’ community that we have steadily been building over the last three years. This January, we feature Pratyusha Pramanik.

‘Smile! UP Police Is Watching’: On Distress, Surveillance And Emotion Mapping

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Mass surveillance, where an individual has no information on where private data is being stored is a far more glaring problem than anything else.

Raising Girls’ Minimum Age Of Marriage Isn’t As Progressive As You Think

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Raising the age of marriage from 18 to 21 strengthens the hold that the state and natal families have over girls and strips away their agency.

Most Popular Stories on FII

Anaahat (2003): Niyog Pratha & Women’s Sexual Freedom In Amol Palekar’s Film

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Amol Palekar's movie Anaahat (2003), a Marathi film (Anaahat means Eternity), poses several questions about Niyog Pratha and emphasises on a woman's choice to explore her sexual freedom.

Drishyam 2 Review: A Cinematic Universe Founded On Victim Blaming

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Drishyam 2 is the latest addition in mainstream entertainment cinema that plays into the tropes of popular morality that distorts women’s agency.

Analysis Of Sir (2018): Blatant Invisibilisation Of Caste Privilege

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Starring Tilottama Shome and Vivek Gomber, Is Love Enough, Sir? is marketed as a progressive ‘love story’ between a man and his domestic worker that breaks societal barriers.

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